current foundation events and exhibitions Reclaimed
Lorraine O'Grady, The Fir Palm, 1991/2012. Silver gelatin print. Edition 1/8.
© Lorraine O’Grady/Artists Rights Association (ARS), courtesy of Alexander Gray Associates, New York.
Linda Pace Foundation Collection.

March 10, 2018 - January 26, 2019
Public Opening: Friday, March 9, 2018 | 7:30-9:30pm

Linda Pace Foundation announces its fall 2018 exhibition, Reclaimed, a presentation of 25 monochromatic works by some of the most influential contemporary female artists working today, all drawn from the Foundation’s diverse collection. Artists include Laura Aguilar, Dorothy Cross, Judy Dater, Annette Messager, Lorraine O’Grady, Robyn O’Neil, Linda Pace, Tracey Rose, Lara Schnitger and Kiki Smith, with works spanning 1975 through 2009.

As the title implies, the exhibition addresses the concept of ownership—both literally and figuratively—and the notion of “reclaiming” what’s ours, from our lands and governments to our physical bodies and basic human rights. Central to each of the works on view are themes of nature, identity and the female form, often times as a depiction of non-traditional feminine ideals. For instance, in Mexican-American photographer Laura Aguilar’s self-portrait series, Stillness, the artist displays her large, naked body against the natural landscape. By fusing the cracked earth, bulbous rocks and knotted tree trunks of the San Antonio wilderness with the curvatures and folds of her own unconventional shape, Aguilar asserts her beauty as an extension of nature.

Other artists in the exhibition address these themes by exploring the decentralization of the human body. In Annette Messager’s sculptural installation Mes voeux sous filets, dozens of photographs, each containing a single foot, mouth, ear, nose, breast, etc. hang beneath a layer of netting. Inspired by religious relics historically hung from church ceilings, Messager employs these symbols as a commentary on blurred gender binaries and the widespread objectification of the physical form.

Similarly, in Landscape (Western Hemisphere), a single channel video installation, Lorraine O’Grady’s hair serves as the primary subject. Filmed at an extreme close-up and presented without context, the gently-blowing strands are reminiscent of a dense forest, and by drawing this comparison between African American femininity and the western world, O’Grady points to the fraught history of colonization and its continued effects on racial equality today.

Throughout the exhibition, the color palette—or lack thereof—and focus on photography, film, cast sculpture and works on paper, underscores the seriousness of the subject matter and harkens back to more traditional methods of artistic production. A departure from the Foundation’s typical spotlight on experimental and new media works, this unexpected selection provides insight into the depth and variedness of the permanent collection.

ADAM by Arturo Herrera from LindaPaceFoundation on Vimeo.

Arturo Herrera: ADAM
Currently On View

On view at the corner of N. Main and E. Commerce St., San Antonio, TX

A dynamic new artistic addition to the heart of the city, easily visible from Main Plaza, installed in the winter of 2013. Adam, is a 2,500 square-foot red-and-white abstract wall painting by internationally acclaimed Venezuelan-born artist Arturo Herrera, is sure to draw the attention of residents and visitors alike adding color, vibrancy and great artistic value to the city’s cultural and spiritual center. The dramatic wall painting, more than 25-feet high and 98-feet wide, is the first large scale public installation of the Linda Pace Foundation. Adam embraces and fulfills the Linda Pace Foundation’s mission for the community to experience contemporary art in nontraditional settings.

“The inspiration for the wall painting Adam was about movement, the dynamism of abstraction, and a soaring energetic field, like Spring, when everything awakens,” Herrera said. “The title Adam brings several images to mind: An earthbound beginning; the first individual Pace Foundation’s First Public Art Installation 1 | Page human; humankind. It is a powerful and yet open-ended title that can convey multiple readings to the audience. The color red that I chose for Adam was intentional as red is the color associated with heat, power, physical energy and celebration. Coincidently, red was Linda Pace‘s favorite color, both for its physical and spiritual qualities.”